Recording Studio Live Room Acoustics

The studio acoustics of these rooms will have vastly different attributes to consider.

Recording studio live room acoustics.

5 star rated from 500 reviews for our acoustic treatment panels and acoustic room treatments. Information and client profiles related to bass traps acoustic panels diffusors for home theater recording studio restaurant acoustics listening rooms. All the readers are aware of the common. Control room vs live room strategies.

But combined live and control rooms are increasingly common as you might find in a small home studio or medium sized project studio. Design considerations for recording studios. This article will explore the most important design considerations for recording studios. In pro studios where control rooms are used for mixing and live rooms are used for recording different acoustic treatment strategies exist for each purpose.

Hard surfaces are good. The other extreme is an overly damped dead space. It s critical to match the spl capabilities bass extension and off axis monitor response to both the recording studio s acoustics and the specific task. Combining them always muddies the situation but can to a point be achieved successfully.

And if you re going for a dry sound e g. Control room the technical hub of the recording process studio the performance area and is also used to describe a facility booth refers to a smaller performance space. Experts agree that the ideal recording studio floor is heavy and has a hard surface. Overly live room acoustics will impart that twangy coloration to the original music making it sound blurred and ill defined.

Gik acoustics is known for its expert room acoustics advice and as a. For the lead vocal all you have to do is move your mic to the dead end zone. Order direct gik acoustics designs made to order bass traps acoustic panels and acoustic diffusion for home theaters recording studios restaurants listening rooms auditoriums and any environment where listening is critical. Of course you won t get the lush reverb of a big live room in a professional studio but you do get a bit of room ambience which enriches the sound of acoustic instruments in particular.

If possible you want to have a room for live recording and another separate room to do post production. The strategies we just covered are what you would typically use for a live room to get a nice sound from virtually anywhere in the room. Many professional facilities and home recording studios choose the wrong speakers for their needs.